MEENU THAKUR
Meenu Thakur is one of
the leading Kuchipudi dance exponents. Meenu Thakur was
inducted into dance from childhood, she learnt Kathak for five years before she
decided to take up the serious study of “Kuchipudi” the traditional dance style
of Andhra Pradesh.With initial training by
renowned guru Padma Bhushan Swapnasundari and Natyacharya Pasumurthy Sitaramaiya, Dance has
become an integral part of Meenu’s life. With grooming by Padmashri Guru Jayarama Rao and Vanashree Rao, Meenu has
blossomed into a fine exponent of
Kuchipudi dance.
Meenu has flair and
grace for an efflorescent dance style like Kuchipudi. Her style represents a
combination of the feature of “Purusha Sampradaya” (Original male dance
tradition) of Kuchipudi and its “Anuroopa” (Transformation of the male
dance style into female interpretation). She has excellent command over
technique and Abhinaya. Dedication and sincerity has been the salient qualities
of this gifted danseuse. She is the prominent face of the younger generation,
having performed in various national and international fora with aplomb and
refinement, she has carved a niche for herself.
Endowed with grace and
charm, a mobile visage and attractive stage presence, she is an amalgamation of
the grace of Kuchipudi dance style and the intricacies of Kathak dance style.
Meenu has been actively
performing for the last 21 years as a Kuchipudi Artiste and has conducted
workshops in New Delhi, Haryana, UP, Rajasthan and Chattisgarh. She is also the
Director/Choreographer (Classical Dance) for NDMC workshops for the last thirteen
years. She is
an established empanelled artist of Indian Council for Cultural Relations and
performed all over the world through cultural exchanges and is also a ‘A’ Graded
artist of Doordarshan. She has also performed and given interviews on television
(DD National, DD Bharti and JIA News). She is empanelled with SPIC MACAY. She is one of the few danseuses actively
performing Kuchipudi classical style in Delhi/NCR
Performances and accolades
Khajuraho Festival
Kal Ki
Kalakar Festival
Natyanjali Festival
Konark Festival
Horizon (ICCR) Delhi & Lucknow
Sidhender Jyanti Samaroh (HYDERABAD)
Pt. Bhatt Smriti Samaroh (JAIPUR)
Kalakshetra, Chennai (TAMILNADU)
Mahabalipuram Festival (TAMILNADU)
Sur Singar Samsad (MUMBAI)
NIMAAD FESTIVAL (M.P)
TYAGARAJA FESTIVAL
DELHI INTERNATIONAL ARTS FESTIVAL( DELHI)
CLASSICAL DANCE & MUSIC FESTIVAL( GOA)
IITF (New Delhi)
Neemrana
Foundation (Neemrana)
Performance in foreign countries through the Indian Council for Cultural
Relations and other private sponsors
Bahrain,
U.K, Brazil, Yugoslavia, South Africa, Re-Union, Zambia, Mauritius, China,
Japan, Indonesia, Thailand, Nepal, Philippines, Bhutan, Malaysia, El-Salvador
and Panama.
LATEST PERFORMANCES
- Meenu performed with Padma Vibushan Dr. Sonal Mansingh in three countries.
- Neemrana Foundation, Neemrana.
- IITF, New Delhi
- Epicentre, Gurgaon
Awards
Awarded
by Sur Shringar Samsad Title – “SHINGAR MANI”
Awarded
The Gold Medal for propogation of Kuchipudi by Aryabhatta Society
Scholarship
in Kuchipudi from Department of Culture, Ministry of HRD.
Junior
Fellowship from Department of Culture, Ministry of HRD.
Special achievements
Performed
at Rashtrapathi Bhavan in 2007 in the presence of Hon’ble President of India,
Dr. A.P.J. Abdul Kalam.
SURAMYA
A
Society for promotion of Art, Culture and Indian Dance called “Suramya” is
successfully conducting workshops for young learners of Classical Dance for the
last thirteen years in New Delhi
and the Society has conducted workshops in all parts of NCR. The Society has
conducted classes in Delhi and Gurgaon in the
past few years and at present, is conducting classes in Kuchipudi in New Delhi. Former
President Shri. R. Venkatraman was the Patron-in-Chief of the Society and the
Society at present is helmed by high-ranking officials and art lovers.
Meenu
Thakur’s disciples, the students of SURAMYA have recently performed in the Delhi
Youth Festival organized by the Govt. of Delhi; Asian Gas Summit, New Delhi;
India-Asean Commemorative Summit, Rashtrapati Bhavan, New Delhi; Epicentre,
Gurgaon; ISCKON Noida; IITF New Delhi.
Some comments by eminent critics
A
dancer to watch-Leela Venkatraman (THE HINDU)
Combining
Kuchipudi with Yoga, Meenu mesmerizes all by her distinct dance form-Rumjhum
Gupta (THE TIMES OF INDIA)
Meenu
is far truer to her art than to fantasies that everyone has about Lord
Krishna…Imagine portraying Krishna from
childhood to old age-Deepika Vij (EVENING NEWS)
Meenu
displayed a commendable stage presence and remarkable footwork through her
recital-Kayess (INDIAN EXPRESS)
The
highlight of Meenu’s performance was the scintillating nritta. An Explosion of
applause greated the Balagopala Taranga executed on the rim of a brass
plate-Vasantha Iyer (NATIONAL HERALD)
Meenu
marked her style with fluid, graceful movements coupled with a pleasant smile
on an expressive face-Priti Verma (THE TRIBUNE)
Poetry
frozen in action-Reporter (TIMES OF INDIA)
Meenu
danced with joyous abandon unmindful of the danger below (on a sharp-edged
copper plage)-Subbudu (THE STATESMAN)
Thakur’s
footwork displayed speed and precision as she matched the mridangam beat for
beat-Punam Sehgal (CHANDIGARH
NEWSLINE)
An
aesthetic conquest of space and time with her dancing feet-N.K.Mudgal (THE HINDUSTAN TIMES)
This
Rajput girl is dominating Rao territory! Meenu has a dash of understated
sauciness that is a piquant characteristic of Kuchipudi-Ashish Khokar (THE
TIMES OF INDIA)
Meenu’s
sense of rhythm and angsanchalan is a strong point that shone through her
recital-Shanta Sarabjeet Singh (THE HINDUSTAN
TIMES)
The
saga of a dancer who has carved out a name for herself at a very young age. She
has a touch of Midas as for success-Pooja Jain (STAR ACHIEVER)
Meenu
Thakur’s choreography Nayika was a depiction of feminity in eight amorious
stages. She has grace, dynamism and charm-Utpal Banerjee (THE PIONEER)
The
dancer is brave to present a recital almost entirely abhinaya-based without the
razzle-dazzle of nritta. With confident bearing and contained exuberance, Meenu
projected rare maturity-Leela Venkatraman (THE HINDU)
With
her excellent command over techniques, she combined the original male dance
form of Kuchipudi with Anooroopa in which the male dance style is interpreted
in the female form-Pradip Kumar Das (THE HINDU)
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